Monday, April 7, 2025

"Jack Lafiance On De Crawfish" - Joseph Pierre Landry

Joseph Pierre Landry was born July 9, 1877 in Bayou Goula, Iberville Parish.  His father, Volney, was a veteran of the Civil War and his mother Harriet was a home maker. At the turn of the century, Joseph worked as a store salesman near White Castle and it was during this period of his life that Joseph spent time crafting his talent as a stage and voice actor.  

After moving to Beaumont, he married Anna Eileen Cunningham, an Irish woman and native of Illinois, and the couple started a family.   During the 1920s, he worked as a "commercial trucker" however, he began traveling to various towns between Texas and Louisiana, entertaining audiences with a number of "humorous stories and charming sketches that fairly brought down the house." Often these monologues were in conjunction with other musical acts that performed either before or after his stage shows. 

Either possibly discovered on one of his many performances in Louisiana or possibly connected to the Wilferts of Opelousas, the Victor Recording Company invited the humorist in November of 1929 to record two of his most popular monologues, "Jack LaFiance At The Telephone" and "Jack LaFiance On De Crawfish".(#22212).   While in New Orleans, other Cajun musicians that awaiting their turn in front of the microphone were Artelus Mistric, Columbus "Boy" Fruge and Moise Robin of Arnaudville, Alius Soileau & Leo Soileau of Ville Platte, Berthmost Montet & Joswell Dupuis of Henderson, Delin Guillory & Lewis Lafleur of Eunice, and Bixy Guidry & Percy Babineaux of Carencro. According to record collector/dealer Malcolm Vidrine, 

"The A-side is even done completely in French. B-side is in English and Jack LaFiance makes a decent case on replacing the Louisiana Pelican with a Crawfish (and put him on the dollar as well!)."  

LaFiance was a caricature figure, popularized in late 19th century New Orleans literature, and represented in literary newspaper columns by James J. McLaughlin, who told of fictional stories of creole courtship in New Orleans.   

After the Great Depression, Landry's career stalled.  Victor released his recordings in February of 1930, during the depths of the Depression, killing any chance of success Landry may have expected.  His recording seems to have been mostly forgotten and the distribution of the monologue, only 804 copies, succumbed to the effects of the economic situation.   

Outside of his day job in real estate sales, Joseph spent much of his time acting and impersonating in various talent shows and social events both in Beaumont and in Houston.  He would often demonstrate "great versatility as an imitator of various dialects," performing for the Kiwanis Club and Knights of Columbus; an organization in which he had deep involvement.

He became president of a real estate company after WWII and lived the rest of his life in Beaumont.  Joseph passed away April 24, 1957.


References

  1. The Houston Post Houston, Texas · Wednesday, December 24, 1919
  2. https://www.findagrave.com/memorial/167722299/joseph-pierre-landry
  3. Discussions with Malcolm V

Release Info:
Jack Lafiance At The Telephone | Victor 22212
Jack Lafiance On De Crawfish | Victor 22212

Saturday, March 29, 2025

"Je Pasa Durvan'Ta Port (I'll Pass In Front Of Your Door)" - Harry Choates

In 1947, Harry Choates recorded for Jimmy Mercer’s Swing Records in Paris, Texas on his new label, Cajun Classics, created just for Choates.1 In his early days, Mercer was pressing on highly fragile, reclaimed shellac -- he ground up used 78s, cooked them, dried them, and pressed new records out of them, just as Bill Quinn had done. In light of this, combined with the fact that distribution was probably limited to Dallas and Fort Worth, it's a miracle that even one copy exists today.2  


J’ai passé devant ta porte,
J’ai crié, “Bye-bye la belle.”
Y'a personne qui m'as pas répondu,
O yé yaille, mon cœur fait mal.

J’avais vu une petite chandelle allumée,
J'avais été courir z-à la porte,
Ils m'ont dit que ma belle était "gone",
O yé yaille, mon cœur fait mal.

J'avais vu une (...) la blonde dans la porte,
J'avais été (...) pour la belle,
Ils m'ont dit que la belle était "gone",
O yé yaille, mon cœur fait mal.

J’ai passé devant ta porte,
J’ai crié, “Bye-bye la belle.”
Y a personne qui m'a pas répondu,
O yé yaille, mon cœur fait mal.

poss. Grady Mann, Curzy Roy,
Johnnie Manuel, Harry Choates,
Joe Manuel, Eddy Pursley,
Ronald Ray "Pee Wee" Lyons
His group consisted Ronald Ray "Pee Wee" Lyons on steel guitar, Esmond "Eddie" Pursley on guitar, B D Williams on bass, Curzy "Porkchop" Roy on drums, Johnnie Ruth Manuel on piano and her husband Joe Manuel on banjo. Joe, from southwest Louisiana, had originally created his group for hillbilly music when they added Harry to the mix.   In this tune, Harry stepped back from the vocals and let Joe sing an old Cajun classic originally recorded by Cleoma Breaux in 1929 as "Mon Coeur T'Appelle".  It was entitled "Je Pasa Durvan Ta Port" (#1005), a corrupted spelling of the phrase "j'ai passé devant ta porte" or "I walked passed your door".   


I walked past your door,
I shouted, "Bye-bye, beautiful."
No one answered me,
Oh yeah, come on, my heart hurts.

I saw a small lit candle,
I ran to the door,
They told me my beauty was gone,
Oh yeah, my heart hurts.

I saw a (...) in the door,
I had (...) for my beauty,
They told me my beauty was gone,
Oh yeah, my heart hurts.

I walked past your door,
I shouted, "Bye-bye, beautiful."
No one answered me,
Oh yeah, my heart hurts.










  1. http://www.amoeba.com/music/artist/64745/bio
  2. http://wired-for-sound.blogspot.com/2010_12_17_archive.html
  3. Lyrics by Stephane F

Release Info:
Je Pasa Durvan Ta Port | Cajun Classics 1005
Tip-E-Te-Tip-E-Ta Ameon | Cajun Classics 1006

Find:
Harry Choates ‎– The Fiddle King Of Cajun Swing (Arhoolie, 1982, 1993)
Cajun Fiddle King (AIM, 1999)
Devil In The Bayou - The Gold Star Recordings (Bear Family, 2002)