Oh, ma chère ‘tite fille,
Moi j’connais, j’suis si loin de toi mon nègre.
Ca me fait faire dans la peine de t’quitter,
Pour venir si loin de toi, malheureuse.
Prends courage, oui ma chère ‘tite fille,
Moi j’après m’en aller pour te r’joindre.
Tu connais, toi t’es bien soignée,
Mais j’peux pas m’empêcher d’m’ennuyer.
Moi j’après m’en aller de te r’joindre,
Prends courage, chère ‘tite fille, prends courage.
Moi j’après m’en aller, oui te r’joindre,Ca s’ra pas longtemps, oui ma chère ‘tite fille.
Separately, Amede Ardoin recorded for Decca during the same session. Twelve songs were recorded the session; location mistakenly listed as New Orleans, however, both the Breaux and the Ardoin family recall the session being in NYC. Cleoma was from the town of Crowley, Louisiana and it's the town where both her and Joe settled after they got married. The melody would later become the basis for the "Eunice Waltz" and Elise Deshotel's "La Vase De Temper Tate". It even influenced Aldus Roger's recording of "Lafayette Playboys Waltz".
Oh, my dear lil girl
I know I'm so far from you.
It makes me sorry to have left,
I've gone so far away from you, I'm unhappy.
Take care, my dear, please lil girl
After all of this, I will be with you.
I know you are well cared for
But I can not help but be lonely.
After all of this, I will be with you.
Take care, dear lil girl, take care.
After all of this, I will be with you.It won't be long, yes, my dear lil girl.
Find:
Cajun Early Recordings (JSP, 2004)
Prends Donc Courage - Early Black & White Cajun (Swamp Music Vol. VI) (Trikont, 2005)
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