Like most national record companies, Columbia's engineers misspelled Cajun words, in this case, his name Trehan and the word Acadian. There is a distinct dissonance between the accordion's bass and the guitar throughout the songs. According to an interview with Trahan in the 1960s, he explained when it was time for him to go to New Orleans to make that record, his regular guitarist either couldn't (it was at harvest time) or wouldn't make the trip. So, he picked up Edney Broussard of Milton, Louisiana, who didn't know the material. The rhythm of the guitar is perfect, but the chords are nearly 100% wrong.
According to Ron Brown, fans and club owners bombarded the musician with requests to perform for dances following Trahan's debut release, however he declined having a music career.
- Cajun Breakdown : The Emergence of an American-Made Music By Ryan Andre Brasseaux
- Accordions, fiddles, two step & swing: a Cajun music reader by Ron Brown, Ryan A. Brasseaux, and Kevin S. Fontenot
- Image by Devon F.
CAJUN-Rare & Authentic (JSP, 2008)
Cajun Swamp Stomp, Vol 1 (Lumi, 2012)
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