By the 1950s, it had been 15 years since Lawrence Walker had stepped into a recording studio. No longer where the major recording labels, such as RCA and ARC, interested in his music. It was during this time he got wind of an independent recording producer in Lake Charles who had made a name for himself recording the Cajun accordion music of Nathan Abshire. It would be his first recording session since the 1930s and afterwards, his legacy would never be forgotten. Lawrence's path mimic'd the same one that Nathan had gone down. Both were picked up briefly by RCA in the 1930s and both were dropped once the accordion was no longer in favor. Since Lawrence was no longer playing with his brother as a duo, he formed a new group with Mitch David on fiddle, Valmont "Junior" Benoit on steel guitar and Simon Schexneider on drums. Even Houston Fruge played with the band. Together, they recorded the "Country Waltz" (#601), the tale of two estranged lovers, Adam "Tit 'Dom" Hanks and Alice Royer.
Oh, Alice, vas-donc mettre ta 'tite robe de grandes barrées,
'Garde-donc quoi-ce-qui vient à travers du clos sur Grand Henri,Tu m'as promis d'espérer et 'garde-donc voir quoi t’après faire aujourd'hui,Petite, tu demandes une chance avant de mourir.Oh, Alice, blâmes-donc pas les paroles dis, viens-moi Alice, tite monde,Petite, tu connais surement la cause de tout ça,Tu connais je prends ça dur mais de devoir t'en aller aussi loin de toi,Oui, chère Alice, donnes-moi une chance avant de mourir.
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| Lawrence Walker |
The well-known story of Alice, Adam, and his horse Henri was popular among those around Acadia Parish. The story was first recorded by Pointe Noir native Angelas Lejeune in his locally popular tune "La Valse A Tidom Hanks". Over time, the story made it's way into Lawrence Walker's repertoire and he used it to accompany his "Country Waltz". Johnnie Allan, steel guitarist in Lawrence's later years, recalls the places where he and Lawrence used to play in the country:
We performed at clubs like the OST in Rayne, the Welcome Club in Crowley, the Jolly Rogers in Forked Island, the River Club in Mermentau, the Bon Ton Rouley in Lafayette, and the Blue Moon in Lake Charles. None of the clubs was air conditioned and the cost was usually fifty cents per person. The audience varied in age from about fifteen years old to some in their seventies.1
Oh, Alice, go put on your little striped dress,
So look, what's that who's coming across, riding on Big Henri,You promised me hope and to keep watching what you're doing today,Little one, you asked for one more chance before I die.Oh, Alice, don't blame the words that were said, come to me Alice, my little everything,Little one, you surely know the cause of all of this,You know I've taken it hard, well, having to go so far away from you,Yes, dear Alice, give me another chance before I die.
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| Rayne Tribune Dec 2, 1954 |
Both Lawrence and Aldus Roger had popular bands that packed the same clubs, sometimes night after night. Allan remembers:
Generally we played from nine to one o'clock with no intermission. The band members pitched in to set up and tear down musical equipment, there were no roadies in those days!.1
By 1962, Walker re-recorded his tune for Swallow Records as "Chere Alice".
- South to Louisiana: The Music of the Cajun Bayous By John Broven
- Lyrics by Stephane F
Release Info:
Country Waltz | Khoury's 601 A
Mamou Two Step | Khoury's 601 B
Find:
Country Waltz | Khoury's 601 A
Mamou Two Step | Khoury's 601 B
Find:
A Legend At Last (Swallow, 1983)
Cajun Honky Tonk: The Khoury Recordings, Volume 1 (Arhoolie, 1995)
A Tribute to the Late, Great Lawrence Walker (La Louisianne, 1995, 2000)
Essential Collection of Lawrence Walker (Swallow, 2010)
