Showing posts with label Larry Miller. Show all posts
Showing posts with label Larry Miller. Show all posts

Tuesday, May 28, 2019

"Saturday Night Special" - Sundown Playboys

Reaching outside of the boundaries of early Cajun music, we visit the interesting story of the last Cajun recording pressed on 78 RPM.  It was done so by none other than the British rock group The Beatles on their Apple Records label.   So, how did this recording get pressed so late by a rock group un-affiliated with Cajun music?

The Sundown Playboys was a group started by Lionel Cormier in the 1950s.  The group continued to play until Lionel died of a heart-attack on stage in 1971.  Accordion player Pat Savant eventually joined the band and briefly knew Lionel; having met him only twenty minutes before the veteran played his last song.  


Oh, 'tite fille, moi'je connais heir soir,

Je partis d'a où j'etais,

Pour te joindre, jolie chère.

Oh, ye yaille, la promesse j't'ai mal y fait,
Les memes mots qu'j'ai dit à une,
Je les dis à une et l'autre. 

Oh, tite fille, vingt ans moi je connais,
Moi je vais dire à cette heure,
La parole pour réparer.

Oh, ye yaille, il a dit, jolie cœur,
Pour demande des pardonnances,
Il connait il a près mal faire. 
Sundown Playboys
Sep 26, 1972

Before long, Pat was leading the group in local dance halls. A sophomore at a Lake Charles Catholic high school, he was given a chance to fill Cormier's shoes; while he was a novice in the frenzied atmosphere of Cajun dance halls, he became, at the age of 15, a Sundown Playboy.2  Only a school kid at the time, Savant was a young accordion prodigy, meeting Lionel Cormier minutes before he died.  So he was rather surprised when he was invited to step in and fill Lionel’s big shoes.5  He and his group including Lionel's son, Lesa Cormier on drums, Wallace "Red" Touchet on fiddle, Darrell Higginbotham on voclas and guitar, Danny Cormier on bass and Larry Miller on steel, landed four songs on tape at Swallow studios for their next release 45 release.

After a recording session with Floyd Soileau at Swallow Records, Pat Savant was in the record shop talking with another teenager about the group's latest recording efforts when the other youngster wondered aloud what the attitude of the famous Beatles would be towards this style of French music.6  Pat, known to be an aficionado of all things British, convinced Lesa and Swallow records producer Floyd Soileau to send a copy of the 45 RPM with a letter to George Harrison of The Beatles in 1971.1  He also noticed that the record bins in K-Mart were filled with Apple product, so he mailed a copy of the single addressed ‘The Beatles, London, England’.5   According to Darrell's son David, 
Pat sent a copy of the recording to the Beatles' George Harrison as a joke. The joke turned out to be on Pat because George Harrison sent a letter back asking for permission to release it on the "Apple label".


Oh, little girl, I know last night,

I left from where I was,

To return to you, pretty girl.

Oh, ye yaille, the promise I poorly made to you,
The same words that I said to one person,
I say them to one and another.

Oh, little girl, twenty years old, I know,
I'm going to say right now,
Words to make amends.

Oh, ye yaille, he has said, pretty sweetheart,
Begging for forgiveness,
He knows he's doing something wrong.

Sundown Playboys

According to legend, George Harrison heard the record and loved it.  Apple Record's A&R manager Tony King wrote back within two weeks to say that Apple would put out the single over the pond.5,6  The response came as a surprise to everyone.  According to Floyd Soileau,
It was a typical French group from Lake Charles, typical record, there was no big thing about it.  Even when I had a call from Apple's New York office, I still couldn't believe what was happening.  I have a back-page ad they ran in Billboard,.  I've got the sample promotion kit 'Back to Mono' with the 78 copy and the 45 copy and the promo stuff they had inside.  And I love to tell the story because it's one of the carziest things that can happen in this business.4  

In the summer of '72 Apple released the same recordings that Swallow had already pressed the "Saturday Night Special" and "La Valse de Soleil Couché (The Sundown Waltz)" in both the U.S. and Europe.  It was pressed as a promotion on 45RPM and surprisingly on 78RPM as part of Apple's short-lived novelty "Back to Mono" campaign.  Though Apple bought a full back page ad in Billboard, the record did not receive the wide airplay that it reportedly had in Europe,2 but was used in the movie Sister, Sister in 1988.3  Later, the recording was released on the CD "Come and Get It: The Best of Apple Records." 

The Sundown Playboys became a major influence on the Smiths’ lead singer Morrissey, who included their single on his 2003 release Under the Influence, explaining in the extensive liner notes that the shock of “Saturday Nite Special”’s never-before heard sound had haunted him for years without any context or reference point, and without even knowing the name of the song or the band, he’d remembered the tune after hearing it only four times!5 Because of the scarcity of the 78RPM pressing (some estimates place it as low as 150 pressings), the value of a copy can reach in to hundreds of dollars. 






  1. http://www.offbeat.com/music/pat-savant-self-titled-mte/
  2. http://www.hechicero.com/louisiana/sundownplayboys.html
  3. http://www.downtowncajunband.nl/sitewillem/Acadiana%20Gateway/music/lcormier.htm.html
  4. South to Louisiana: The Music of the Cajun Bayous By John Broven
  5. Eclectic Company Meet The Sundown Playboys By Leslie Berman
  6. Daily World (Opelousas, Louisiana) 26 Sep 1972, Tue Page 7

Thursday, December 28, 2017

"Welcome Club Waltz" - Lionel Cormier

Lionel Cormier began learning the accordion from his father, Arvilian, at an early age. By the age of 12 he was playing the accordion for family gatherings and house dances in the Acadia Parish region. After marriage and a move to Gueydan, in 1935, he settled in Elton where he continued to play the accordion, mainly at house parties and family gatherings. After playing a few dances following World War II, he joined Percy Fuselier in 1947 to form the Elton Playboys. Within a couple years he regrouped and headed the Sundown Playboys.2

Tu m'as quitte, pour t'en aller,
T'en aller avec un autre,
Moi, j'connais, merite pas ça,
Ça ta fais moi a pas longtemps.


Moi, j'ma va, mais, mon tout seul,
P'us personne, mais, pour m'maimer,
Moi, j'connais ça fais la peinne,
Moi, j'connais merite pas ça, mais, malheurese.


Wallace Touchet, Lesa Cormier, Lionel Cormier,
Orsy "R.C" Vanicor, Howard Mire

Named after a popular dancehall in Acadia Parish, the "Welcome Club Waltz" (#1037) recorded in 1952, was named after the Welcome Club located in Crowley, Louisiana.  Opened in the 1930s as the Delta Club, it hosted blues and jazz musicians throughout the 1940s.  In 1951, Feature record producer, J.D. Miller, jumped into business with Welcome Club managers Henry Magnon and Leo Miller as part owner.  The use of the club's name made sense, because it was one of many places Miller kept his jukeboxes playing his store's Feature records.    Lionel's recording contained a melody similar to a version of "La Valse de Grand Chenier" and the old Creole tune "T'es Petite et T'es Mignonne".   It's quite possible it also inspired Lawrence Walker's "Reno Waltz".  By the late 1950s, the popular place became Club L'Acadien and remained that way for years.

You left me, you went away,

You went away with another,

I know I don't deserve that,

That you've done not long ago.



I'm going, well, all alone,

Nobody, well, to love me,
I know that it hurts me,
I know I do not deserve that, well, oh my.


Crowley Daily Signal
May 13, 1955

The early band featured Lionel on accordion, Emory Lapoint on guitar and vocals, John Darbonne on drums, and Percy on fiddle. Darbonne played a short while and was replaced by Lionel’s son, Lesa. Also, Orsy Vanicor played the steel guitar for a while in late 1948, until he joined his family in Lacassine to play with Iry Lejeune and the Lacassine Playboys. Larry Miller from Iota replaced Vanicor on the steel guitar, and during 1949 Percy left the band and was replaced by Jake Bertrand.  As personnel changed, Lesa renamed the band, the Sundown Playboys.2  By the time the band was in Miller's studio, it featured Howard Mire on guitar and vocals, Wallace ‘Red’ Touchet on fiddle, Larry Miller on steel guitar, and Tan Benoit on drums. Howard would continue on as a side musician with other Cajun artists such as Joe Falcon, Nathan Abshire, Lawrence Walker, Lionel Leleux, Don Montoucet, Blackie Fruge, Dick Richard, and his brother Jake Miers. 


Lionel was successful in landing radio airplay including places like KPLC in Lake Charles, KSUL in Sulphur and KJEF in Jennings.    In 1971, KJEF announcer Jerry Dugas hosted a show at the Bamboo Club on Highway 14.  The highlight of the event was not the music, but an unforeseen event.  While Lionel Cormier and the Sundown Playboys were preparing to play, Lionel had a massive heart attack, fell to the bandstand, and died while Jerry was making announcements.2











  1. Slim Harpo: Blues King Bee of Baton Rouge By Martin Hawkins
  2. Cajun Dancehall Heyday by Ron Yule
  3. Lyrics by Stephane F

Find:
Acadian All Star Special - The Pioneering Cajun Recordings Of J.D. Miller (Bear, 2011)